Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | Portrait of Pietro Bembo | The Fire in the Borgo | The Crowning of the Virgin (Oddi altar) | Insitute | Poetics |
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Jean-Baptiste Paulin Guerin
(March 25, 1783 - January 19, 1855), French painter, was born at Toulon, of poor parents. As a young man, he learned his father's trade of locksmithing, whilst at the same time he followed the classes of the free school of art. Having sold some copies to a local amateur, Guerin started for Paris, where he came under the notice of Vincent, whose counsels were of material service. In 1810 Guerin made his first appearance at the Salon with some portraits, which had a certain success. In 1812 he exhibited "Cain after the murder of Abel" (formerly in Luxembourg), and, on the return of the Bourbons, was much employed in works of restoration and decoration at Versailles.
Mabel Pryde
(February 12,1871, Edinburgh - July 1918, England.) was an artist, best known for being the wife of artist William Nicholson and mother of artists Ben Nicholson and Nancy Nicholson and the architect Christopher 'Kit' Nicholson. Mabel was the daughter of David Pryde, Headmaster of Edinburgh Ladies College 1870-1891, and Barbara Lauder, whose father William was a brother of the famous Scottish artists Robert Scott Lauder and James Eckford Lauder. Mabel had one brother, the artist James Pryde. As children they lived at 10 Fettes Row, a north-facing Edinburgh house. Pryde trained at the Bushey School of Art under the tutilage of Hubert von Herkomer. Here she met fellow student William Nicholson whom she married in 1893. She introduced Nicholson to her brother James and all three moved to Eight Bells, Denham, Buckinghamshire, where Nicholson and James Pryde would collaborate on the famous series of lithographic posters they disseminated under the pseudonym J. & W. Beggerstaff. Pryde and Nicholson had four children - Ben (1894-1982); Anthony (1897-1918) who was killed in action during the First World War; Annie Mary "Nancy" (1899-1978), and Christopher "Kit" (1904-1948). In July 1918 Pryde died from influenza in during the 1918 flu pandemic and was survived by her husband.
Arborelius
Olof Arborelius Olof Arborelius 1842-1915